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This is the second depiction of this remarkable tree in the series: one year earlier, Hiroshige had designed a much wider panaroma of
Shinobazu Pond where we see the tree as a relatively small element of the design in the distance (no. # 11 in the Brooklyn Museum
collection - see below). "Here it is as though the artist had moved in with a telephoto lense, peering directly through the looped
branch of this curious tree. The other view was published in 4/1856, near the start of the series, before the artist had begun to use
this kind of compositional contrivance. It was over a year later that he returned to the scene with a very different way of looking at it."
(H. D. Smith II, op.cit.)
Reference: Henry D. Smith II, "One hundred famous views of Edo", Brooklyn Museum collection; Braziller Inc., New York, 1986; no. 89. "Ukiyo-e Taikei"; Shueisha, Tokyo, 1973. |