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During a banquet. A geisha in a yellow kimono is sitting in a large room, playing a finger game (ken), imitating
the pose of a fox. In the background, two more geishas are seen, - one performing a dance -, as silhouettes on the shoji
(sliding wall panels made of paper). This is the center panel of a triptych, but it stands very well on its own. Complete
triptychs are extremely rare, and when found, mostly are from the later editon (see next paragraph).
* This impression is from the first edition which is signed: Eizan hitsu, accompanied by the seal: kikudama-in. It carries the censor's and the date seals (kiwame and inu hachi). - Ten years after, in 1824, a second edition was published showing the following variations: The print is now signed: Kikugawa Eizan hitsu, it lacks the red kikudama-in seal; instead of the date seal it now carries a publisher's seal. That later edition was printed from the same key blocks, but shows different patterns on the bowls seen on the tray behind the geisha whose kimono patterns were altered , as well. The block of the shadow figures on the shoji was recut, and a new title was given: Furyu kitsune ken ('Elegant depiction of the fox finger game'). Reference: - Eiko Kondo, 'Il mondo di Eizan', Rome, 1989; cat. no. 74. - An impression of the later edition of the print is shown in the same catalog as no. 74a. - 'Ukiyo-e Masterpieces in European Collections', vol. XI, Museo d'Arte Orientale di Genova; Tokyo, 1988, no. 39. |